Metis takes a look at five contemporary artists from Southeast Asia whose works speak to the diversities, politics and environments of this enigmatic region.

Metis picks our favourite artworks from the highly-anticipated KIAF 2021, which returned this year to Gwangju, South Korea.

OVR: Basel took place last weekend, running concurrently to Art Basel’s physical fair in Switzerland. Here, Metis takes a look at our favourite works from young artists displayed at the OVR. Born between the late 80s to late 90s, the works from these artists are bold, thoughtful and illuminating — we’ll surely be keeping a close eye on them in the years to come.

As our partnering non-profit for our August instalment of The Tetrad, we speak to Gwen Lee, the Director and Co-founder of DECK — an independent art space for photographers in Singapore. Here, Gwen shares her thoughts about the future of DECK and the evolving local contemporary photography scene.

TEFAF’s 2021 online fair ran from 9-13 September and featured 250 exhibitors. Metis takes a look at abstraction in the works of female artists exhibited in the fair.

While the news of the art market in Asia is often dominated by the East, regions like South Asia are also hitting their stride, with their markets coming into their own and maturing over the past few years. From Sri Lanka in the south to Pakistan in the north, Metis hones in on some of the artists on our radar.

Curators Bala Starr and Melanie Pocock will be leading our upcoming Chapters course, The Language of Contemporary Art, on 25 September. Bala is currently the director of La Trobe Art Institute in Victoria, Australia, while Melanie is a curator at Ikon in Birmingham, UK. We speak to Melanie about her practice, how she sees public engagement in terms of contemporary art, and what we can expect from the upcoming course.